The Venerable Moog Memorymoog - Inspiration for the Moog Muse?

video upload by Vintage Synthesizer Solutions

"Please join us while we explore the infamous, but actually quite venerable Moog Memorymoog synthesizer. As is widely recognized, the Memorymoog was developed too late and was rushed to the market. By 1982/83, the era of extremely expensive flagship analog polysynths being ubiquitously adopted by professional musicians and studios was coming to an end. Synths like the Sequential Prophet 5, Oberheim OB-X/Xa, & Roland Jupiter 8 had dominated the market, but new digital technology - both in synthesis and sampling, was quickly gaining a substantial foothold in the music industry. The Memorymoog was notorious for reliability issues right out of the box while innovative instruments like the Yamaha DX7 were cheaper, much more reliable, and had a unique new sound.

In hindsight and considering the analog renaissance we've expereinced of late, one can evaluate the Memorymoog from a different and more forgiving perspective... It sounds absolutely fantastic and offeres an incredibly unique & fat tone relative to competetive products of both its era and modern times. Additionally, once a competent technician has sorted common issues with the power supply/fan, connectors, etc. the instrument can be quite reliable from a functionality and tuning standpoint.

The audio is DIRECT, with a just a touch of OTO Bam reverb added on an aux bus - You are hearing the raw audio as it comes directly from the synthesizer. There is NO EQ, Dynamics, etc. Listen on good headphones or monitors!

Thank you so much for watching! This channel is a passion project. These videos are recorded off the cuff. We are just two hobbyists who share a deep passion for synthesizers."

Analogue Solutions Ample Synthesizer Now Available

Analogue Solutions Ample Synthesizer -- All Sounds Ample video upload by rezfilter

"Here's a little retro track I put together using only the Ample synth from Analogue Solutions. All parts were sequenced or played live from the Ample, utilizing the onboard Patternator sequencer throughout.

Ample begs to be touched, sequenced, pinned, and played. It's a culmination of all great things from AS."

Check with the dealers on the right for availability. Press release follows.

Analogue Solutions announces availability of Ample as ANALOGUE 3 VCO PATCH PIN SYNTHESISER blending best of past and present products

SHATTERFORD, UK: after a successful soft-launch at SynthFest 2023 in Sheffield, UK on October 7, British boutique electronic instruments innovator Analogue Solutions is proud to announce availability of Ample to a wider audience as a desktop-friendly ANALOGUE 3 VCO PATCH PIN SYNTHESISER — beautifully blending the best elements of several of its past and present products to form a truly analogue modular system skilfully presented as a precision- engineered electronic musical instrument in a spacious (550mm x 262mm x 83mm) steel and aluminium case that also embraces ergonomic features such as VESA mount compliance, should desktop space be at a premium, all of which adds up to being a perfect fit for its appropriate appellation — as of November 29…

Ample adheres to Analogue Solutions’ tried-and-tested no-compromise construction formula, featuring a full rugged steel and aluminium case — no plastic mouldings here; high-quality metal potentiometers with smooth action, fully sealed against dust intrusion; high-quality knobs with spun aluminium caps; high-quality double-sided circuit boards; high-quality 16-bit DAC (Digital-to-Analogue Convertor) for stable MIDI (Musical Instrument Digital Interface) to CV (Control Voltage) conversion; stable analogue oscillators; gold-plated touch plates; plus true retro analogue voice and modulation circuits to give an authentic retro sound. Since Analogue Solutions’ innovative instruments are applauded for proudly possessing a truly vintage sound — synthesisers featuring fully-analogue audio paths with analogue LFOs (Low Frequency Oscillators) and EGs (Envelope Generators), in other words, Ample is in good company as an ANALOGUE 3 VCO PATCH PIN SYNTHESISER.

But by beautifully blending the best elements of several past and present products — namely, the sound elements of Fusebox fabricated originally as an aptly-named, three-VCO (Voltage-Controlled Oscillator) true analogue monophonic synthesiser that favourably fuses the company’s characterful vintage sound with an advanced choice of modulation and melodic possibilities in a beautifully-built box; the jack points introduced in the long-discontinued line of Concussor modular synth drum modules (themselves dating back to the time when Analogue Solutions was the third company to start producing Eurorack format-compatible modules, magical as that might sound in today’s ever-expanding era of thousands of Eurorack modules being produced by hundreds — if not thousands — of developers, both bigger and smaller); the patch pin matrix introduced in the long-lasting Vostok semi-modular synthesiser series (that knowingly nodded and winked at its Russian ‘roots’ from a visual standpoint); the lo-fi echo featured in Dr Strangelove as a small and affordable desktop signal processor (that ushered in Analogue Solutions’ so-called synthBlocks series); and last, but by no means least, the sequencer and CV touch plates introduced in Generator as a highly-versatile multi-channel analogue step sequencer — to form a truly analogue modular system skilfully presented as a precision-engineered electronic musical instrument is what really makes Ample stand out amongst Analogue Solutions’ present-day products.

Put it this way: while Ample shares all of those features from some of Analogue Solutions’ ‘greatest hits’, it still has a sound of its own thanks to the circuits on offer: OSCILLATING is handled by three analogue VCOs (Voltage-Controlled Oscillators), each providing a wealth of features and modulation choices, with the VCO3/LFO 1 legend visually highlighting that the third oscillator can easily be utilised as an LFO (with saw, square, and triangle wave modulation signals), while LFO2/SYNC has a triangle wave output to total two LFOs; the LP VCF (Voltage-Controlled Filter) section is anchored around a four-pole 24dB-per-octave low-pass filter; the VCA (Voltage-Controlled Amplifier) can be set to THRU so it is always ‘open’ (allowing Ample to be used as an effect processor); the two envelope generators — EG 1 and EG 2 — each offer full control over ATTACK, DECAY, SUSTAIN, and RELEASE; extensive modulation routing choices allow for a wide range of resultant sounds extending into percussion and ‘modular’ territory, further extended by patching with the jack sockets and pin matrix; MIDI is intentionally kept simple so users can concentrate on creating new sounds and making music, with all- important control over filter cutoff available via MIDI Velocity; patchable CV control sockets allow the synth in question to effectively be rewired to make new sounds, as well as easily patched together with external Eurorack and other modular systems; the PATTERNATOR is a vintage-style 16-step sequencer; the six touch plates each output a set voltage, so can be used to pitch notes or as modulation signals — either way, they are truly inspirational in action; the pin matrix represents a neat (and flexible) way to patch the synth; and the ECHO section provides easy access to adding a little lo-fi echo or delay.

Audio applications abound when working with Ample as a synthesiser — excelling at analogue sound effects, as well as fat basses, screaming leads, and all manner of other crazy sounds associated with analogue synthesis; an effect processor — perfect for feeding external sounds through the onboard analogue filter and ECHO sections via external audio inputs; a drum synthesiser — suited to producing electronic percussion, including cymbal, hi-hat, kick, and snare sounds; and as a modular synthesiser — partially pre-patched, but with such a wide range of modulation routing possibilities that it is almost as versatile as a full-blown modular system, and capable of producing the same types of sounds but dispensing with telephone exchange-like cabling confusion in favour of making space-saving connections with removable coloured pins, yet still providing a flexible selection of patch sockets so it can quickly be re-patched into itself or to/from external Eurorack and other modular systems.

It is also worth noting in conclusion that while Ample can be used with an external MIDI keyboard or DAW (Digital Audio Workstation), or an external CV keyboard or analogue sequencer, it is equally at home being worked with on its own using its internal step sequencer or pitch played via its six-touch plate ‘keyboard’. Whatever way anyone chooses to work with Ample, it could conceivably be argued that it is the best desktop synth of all — Analogue Solutions-wise or otherwise!

Limited quantities of Ample are already available to purchase directly from Analogue Solutions for £1,999.00 GBP (excluding tax/VAT) via its dedicated webpage (https://www.analoguesolutions.com/ample) while stock will soon be arriving at selected dealers (https://www.analoguesolutions.com/dealers).

Check with dealers on the right for availability.

SYNTH EVOLUTION OSCILLATE POSTER (A2)

Avialable via SYNTH EVOLUTION

"The oscillator is the beating heart of any synthesizer - without it, there is literally no sound!

This brand new poster celebrates 29 of the best from a selection of vintage synths - analogue and digital. They are illustrated in the Synth Evolution house style - hand illustrated to bring out the aesthetic qualities of each.

You might wonder just how many ways there really are to give a synth-player the option between square, sawtooth and sine waves…well the answer seems to be - ‘as many ways as there are synths’, and they all look cool!

The poster is a high quality digital print on 200gsm pH-neutral paper.
Dimensions: 420 x 594 mm (A2)

Delivering globally"

"The majority of the featured oscillators are vintage analogue oscillators from synths like the Jupiter 8, the SH-101, the CS-80, and more. Who knew there were so many solutions to the problem of how to select between ‘square’, ‘sawtooth’ and ‘triangle’?! There are also some modern classics in there - the DX7 and Access Virus amongst them."

Note A2 refers to the standard paper size.

via the web: "The A2 format is 420 x 594 mm or 42 x 59.4 cm. In inches, A2 paper has a size of 16.5in x 23.4in. These dimensions mean A2 is normally the perfect choice for calendars, posters and larger format printing."

Synthfest UK 23 New Videos

video uploads by sonicstate

Playlist:

1. Synthfest UK 23: MyVolts - Nifty USB Power Solutions

At Synthfest UK 2023, we caught up with Caroline from MyVolts, and they've added to their panoply of useful power solutions for musicians. MyVolts showcased their new product, the Alchemist power distribution hub, which harnesses the versatility of USB-C to deliver various voltages from 5V to 20V. This means you can power a range of equipment, from vintage synths to modern gear, with one device. They've also taken their USB power innovation to the next level with a step-up 12V power tip, allowing users to draw 18W from USB to power gear like the Electron Analog Four on the go. MyVolts aims to simplify power management for musicians, addressing issues like earthing and noise, and they're actively seeking input from the community to fine-tune their solutions.

In addition to the Alchemist power hub, MyVolts will be releasing their own power banks, USB-C power cables with wattage indicators, and a range of power tips compatible with various voltages. This expansion means users can power a wide range of devices efficiently and conveniently. These products are expected to be available around February or March. MyVolts encourages you to fill out their survey to help them better understand and solve the unique power challenges musicians face.

https://myvolts.co.uk/

2. Synthfest UK 23: Rides In The Storm - SED CSM Synth Voice

At Synthfest UK 2023, we caught up with Uwe from Rides In The Storm to get a glimpse of their upcoming modular synth voice module, the SED CSM. This module is a powerhouse of sound design possibilities, offering a wide range of features packed into a single unit. With two oscillator sections, three waveform options, pulse width modulation, and a wave folder, there's plenty of sonic flexibility on tap.

The SED CSM also includes a robust mixer section, a ring modulator, wave folder, noise source, and an external input, expanding its sound-shaping capabilities. Uwe demonstrated how the module can be used for lush soundscapes and dynamic modulation with its various features. SED CSM offers envelope generators with loopable modes and versatile LFOs and filter options.

SED CSM Price: around £390

3. Synthfest UK 23: Analogue Solutions - Ample Desktop Pin matrix

We returned to the Analogue Solutions booth to chat again with Tom who showed us the second synth he’s released this year, Ample. Ample is a 3 VCO synth which combines some of the greatest bits of other Analogue Solutions synths, including a patch pin matrix similar to the Vostok, a sequencer taken from the generator, an interval generator similar to that on the Fusebox, and a 24dB filter akin to that of the Pro One. It even has the same delay circuit from the new Maximus.

There are 3 types of pin for the pin matrix with resistances of 0 ohms on the black pin 10k ohms on the red one and blue giving a value of 100k, which allows for more flexibility in attenuating the signals you patch. Tom told us that Ample is particularly suited to percussion, with its snappy filter, and various clock sources available, and though Ample is in a desktop format, Tom has given us plenty of space between the controls so no accidental knob bumping can occur.

Available October 23

Ample Price: around £2000 plus vat

4. Synthfest UK 23: Expert Sleepers - Analogue Modules

At Synthfest UK 2023, we had the chance to chat with Os from Expert Sleepers, known for their versatile digital modules. However, Os has been exploring the analog side of modular synthesis and has introduced a range of eight analog modules.

Among the analog modules, Os showcased a squelchy filter, oscillators with unconventional sine wave cores, and an intriguing octave fuzz effect. He emphasized that these analog modules offer a different approach to sound generation and signal processing compared to their digital counterparts. Os also pointed out that once an analog module is designed and built, it's a finished product, offering a sense of completeness that's distinct from the continuous updates often associated with digital modules.

Expert Sleepers Analogue modules Prices: from £159

5. Synthfest UK 23: Yamaha - DM3 - Super Compact Digital Mixer

At Synthfest UK 2023, we caught up with Chris from Yamaha to take a look at their latest offering, the DM3 digital mixer. This compact 16-input mixer packs some impressive features into a small footprint, making it suitable for a variety of applications. With a focus on pro audio and audio versatility, the DM3 boasts brand-new microphone preamps inspired by Yamaha's high-end CL and QL series, ensuring top-notch audio quality. Operating at 96 kHz, the DM3 offers pristine audio resolution. We have to admit, we're all Gassing for this one...

The DM3 boasts a touchscreen interface, complemented by touch-and-turn knobs for tactile control. This innovative combination allows users to efficiently navigate and control the mixer's parameters. The DM3 can also serve as an audio interface, providing 18 in and 18 out over USB, making it an excellent choice for recording and streaming applications. With a compact and portable design, this mixer is versatile enough for live gigs, corporate events, podcasting, and studio work.

DM3 Standard Model Price: Around £1,500

DM3 Dante-Enabled Price: Around £2,000

6. Synthfest UK 23: Tone Science - Triple Cross - Chance Delay

At Synthfest UK 2023, we caught up with Ian Boddy from DIN Records, known for his prolific work in the electronic music scene. While DIN Records is celebrating its 25th anniversary next year, Ian has expanded his creative endeavors with the release of two modules under the sub-label Tone Science in collaboration with AJH Synth. The Triple Cross module offers versatile signal manipulation capabilities, enabling crossfading, morphing, panning, with non-synchronous LFOs and DC-coupled outputs. The Chance Delay module introduces a unique concept of probability-driven gate delay. Musicians can control the likelihood of triggers passing through, allowing for rhythmically intricate and ever-changing sequences. These modules are designed to enhance the performative aspect of modular synthesis, providing musicians with dynamic tools for evolving soundscapes and rhythmic complexity.

Triple Cross Price: £260

Chance Delay Price: £175

7. Synthfest UK 23: 1010 Music - Bluebox Eurorack Edition

At Synthfest UK 2023, we had the opportunity to chat with Steve from 1010 Music about their latest creation, the Bluebox Eurorack Edition. This module was born out of customer demand, as users of the original Blue Box desktop unit clamored for a Eurorack-compatible version. The Bluebox Eurorack Edition packs all the power and versatility of the desktop version but with a few key differences. It offers mono inputs and outputs that can be combined into stereo, six CV inputs for mapping to various parameters, and two dedicated USB-C ports—one for MIDI and the other for USB audio. This means you can connect your Blue Box to a Mac, PC, or iPad, send and receive audio tracks, and still record all 12 tracks, plus a master track and two effects sends, separately on a micro SD card. An upcoming firmware update will also bring stereo audio in both directions to the Blue Box Desktop Edition, offering even more flexibility in routing and recording. With its compact 30 HP size and thoughtful design, the Bluebox Eurorack Edition also offers a clock output bridging the gap between hardware and software seamlessly.

Bluebox Eurorack Edition Price: $699

8. Synthfest UK 23: Nonlinear Labs - C15 - Software Updates

At Synthfest UK 2023, we had a conversation with Tim from Nonlinear Labs, the creators of the highly expressive C15 synthesizer. Tim shared some exciting updates that have recently been implemented with the inclusion of LFOs via looping envelopes providing musicians with more sonic versatility. The C15's unique concept, based on a two-operator FM synthesis engine, remains intact, but these new LFO capabilities expand its sonic palette. Tim also showcased the expanded key tracking options, which can stretch pitches to create unique tonal textures. Furthermore, he highlighted the new twin-engine feature, which allows for cascading delays and creating captivating stereo soundscapes. Tim also hinted at future developments that owners of this expressive synthesizer can look forward to.

C15 Black Price: 4,300 Euros (incl. VAT)

C15 Cherry Wood Price: 4,750 Euros (incl. VAT)

9. Synthfest UK 23: Kenton - LNDX Midi Line Driver

At Synthfest UK 2023, we caught up with John from Kenton Electronics to check out their latest offering, the LNDX Line Driver, a handy solution for extending MIDI signals over long distances. Designed to address the challenges of maintaining stable MIDI connections in large venues and studios, the Line Driver utilizes Cat5 cables to transmit MIDI signals up to an impressive 500 meters. It's an ideal tool for live gigs in massive stadiums or situations where the control center is far from the performance area. The Line Driver features LEDs to monitor both the incoming and outgoing MIDI signals, providing essential feedback for troubleshooting and ensuring signal integrity. This straightforward and robust solution adds reliability to any MIDI setup, whether it's in the music industry, broadcasting, or even unconventional applications like flight simulators. With its opto-isolation and straightforward connectivity, the Line Driver is set to become an essential tool for professionals seeking rock-solid MIDI signal transmission over long distances.

LNDR pair Price: £127.92

10. Synthfest UK 23: Sweet Discrete - Synth Panel Restoration

At Synthfest UK 2023, we had a chat with Craig from Sweet Discrete, a company specializing in unique synth restoration and custom creations. Craig showcased their latest endeavor, which goes beyond their well-known synth overlays. Sweet Discrete has taken on the ambitious task of restoring classic synths like the Jupiter 8 to their former glory. These aren't just simple restorations; they're meticulous, artisanal processes, involving lead loading to remove rust and imperfections, followed by precise silkscreening. What's more, Sweet Discrete manufactures exact replica shells for various synth models, offering three versions for the Jupiter 8 alone. They've even delved into MIDI mods for the Jupiter 8, bringing modern convenience to these vintage gems.

Beyond their cosmetic work, Sweet Discrete is exploring the possibility of delving into electronics and design for synthesizers. With a keen focus on quality and precision, they're making a name for themselves in the world of synth restoration and custom solutions. To learn more about their offerings and explore the range of products, visit their website

See the SYNTHFEST UK label for more coverage of this year's event.

Synthfest UK 23: Analogue Solutions - Maximus - 8 Voice Monster

video upload by sonicstate

"At Synthfest UK 2023, we caught up with Tom from Analogue Solutions who gave us our first hands-on look at the Maximus Analog Synthesizer. While it might not be as colossal as its predecessor, the Colossus, the Maximus still packs a punch. This beast features 8 individual voices, each with its own sequencer, giving musicians the flexibility to craft a wide range of sounds, from lush pads to percussion elements. Maximus employs a vintage-inspired approach to tuning, with no central control, harking back to the 1970s ethos of hands-on control. While it is capable of huge polyphonic patches, Tom's vision for the Maximus is to offer musicians the ability to create diverse sequences and utilize the voices independently, allowing for rich sonic exploration. With its voltage-controlled filter and multi-mode options, it's clear that the Maximus draws inspiration from classic analog synths like the Oberheim SEM. Additionally, it boasts a five-octave keyboard with aftertouch and a unique touchplate with triggering and flexible CV capabilities. Analogue Solutions has embraced a normalization approach, making patching a breeze, while also providing the option to switch out circuits for advanced sound design. The Maximus also offers delay and spring reverb effects, further expanding its sonic palette.

With the first production run already sold out, tom is busy crafting the next batch and the Maximus should become available again in November 2023.

Analogue Solutions Maximus Price: £22,500"

You can find additional Analogue Solutions Maximus posts here.

#onedrumcomputeraday Drum Synth Videos

video uploads by #onedrumcomputeraday

Playlist:
1. toyo gakki ult sound ds-2

quirky little 70's drum synth made in japan

2. pollard syndrum twin

the pollard syndrum was one of the first commercially available electronic drums. this is the syndrum twin, sometimes called the twindrum - a beautiful drum synthesizer (brain) from 1976 which was part of an electronic drum kit. joe pollard was a session drummer working for the beach boys and other bands.

3. honky tonk music klone kit

sound demo of the quirky klone kit control module. made in the uk 1983 it was a cheap 5 voice alternative to other popular but expensive e-drum solutions of that time. all channels are identical except the snare channel which offers noise. the sound is very limited - followed up by the more flexible klone kit 2. since there's no demo of version 1 I decided to shoot a quick video with proper audio. retail was 299 ukp.

4. elka drumstar 64 (no talking hq audio)

quick demo of all preset patterns from this funky little Italian 80s drum machine.

5. electro harmonix rhythm 12

a short video about the lovely little electro harmonix rhythm 12 vintage analog drum machine from 1976. made in the uk by soundtech and licensed to electro harmonix.

6. rsf sd140 sampling drum machine

I finally managed to shoot a quick video on this super rare french sampling drum machine from 1986 - one of my absolute favorite drum machine of all times :)

7. böhm digital drums m. "digi-rocky" drummachine (no talking hq audio)

audio demo (hq) of all preset patterns (+fills) on this tiny forgotten digital 80s böhm drumbox.

8. electro harmonix drm16 drummachine (no talking hq audio)

short (hq) audio demo of this funky little drumbox from the late 70's

9. soundmaster sd-3 "disco beat" drummachine (no talking hq audio)

quick audio demo of this funky little japanese "stomp box" style disco drum machine from the late 70s.

10. pearl dr-x1

from time to time i have to sell something to make a little room for new stuff ;) so I decided to let this beautiful pearl dr-x 1 go and had to do a quick video before it left my dungeon - I hope you like it, had fun to re-listen and doing a few samples - best, steve

11. lel psr and radel electronic tabla

#onedrumcomputeraday is having a look at the worst digital drum machine ever (?) the russian lel psr in a double feature with the odd indian radel electronic tabla - also featured in a little deconstruction of the arctic sunrise song "forever yours".

12. uno drum - anthology drum libraries

very first & early look at the new & fresh libraries for the ik multimedia uno drum

13. icon design dsm200

last look at my the super rare 80‘s drum synth of icon design ... this one unfortunately had to go 😪 so I decided to create some footage for the world wide web before it's gone ...

14. twisted electrons deton8

checking out the little french 8bit drum machine from twisted electrons

15. dynacord percuter s

a little rough demo of the dynacord percuter s drum module (ca.1985) - including audio demos

16. bme rattlesnake

little jam on the rare bme rattlesnake analog drummachine (ca. 1982)

17. viscount r64s

Analogue Solutions New Synthesizer Teaser: AMPLE

video upload by Analogue Solutions

Update: demo by Starsky Carr posted here.

Ample can be as complex or as simple as you want it to be: We have given this synth a large and diverse number of controls, that alongside the patch sockets, will give even the best and most experienced synthesist endless possibilities.

We have presented the controls in a user-friendly and familiar synth layout that, together with this manual and other resources, enables even the new guy to get great sounds.

SYNTH – PERCUSSION – AUDIO PROCESSOR

"Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU-stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so-called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound. The Best of all Ample combines the best elements of several of our recent products. -The sound elements of Fusebox -Jack patch points of Concussor Eurorack -Patch pin matrix of Vostok -Echo from Dr Strangelove -Sequencer and CV touch pads of Generator It shares all this yet still has its own sound!

CLICK FOR MORE »

UVI Introduces Synth Anthology 4

video uploads by UVI

Note the above is a playlist featuring 4 videos. You can use the player controls to skip through them or just watch them all in order.

Details on Synth Anthology 4 follow:

The authentic sound of 200 synthesizers, from vintage to modern
4,000+ presets and layers deliver incredible sound with hardware soul
Feature-packed dual-layer engine with fx, arpeggiator and more

Synth Anthology 4 - A Synthesizer Tour de Force
https://www.uvi.net/synth-anthology-4

Rebuilt from the ground-up, Synth Anthology 4 now features the authentic hardware sound of 200 vintage and modern synthesizers, a fully redesigned engine with powerful features, fx, arpeggiator, smart sound suggestion engine, native MPE support, and more.
A dreamlike collection!

Also included in SonicPass ➡️ https://www.uvi.net/sonicpass

Video credits: Anthony Hak
Music Credits: Théo & Thomas

"The Best Keeps Getting Better

What's new in version 4?

Almost everything!
We've rebuilt the engine from the ground-up, added more synths, more presets, more effects, more filters, more modulation, a dedicated browser, a second fully-customizable layer for creating hybrid and blended timbres, an all-new smart suggestion engine that helps you quickly find similar sounds, a more powerful arpeggiator/phraser, bus effects, native MPE support, and more!

Real Hardware Sounds There is something unmistakable about the sound of a real hardware synth, from subtle differences between voice circuits and drift to the varied way filters bite into the sound; there's a distinct character and energy. Synth Anthology 4 delivers the authentic and uncompromising hardware sound with all the conveniences of a modern software instrument.

Every piece of hardware represents a unique creative vision, sonic character, innovations, and strengths. Whatever you're looking for, from analog to digital, vintage classic to future classic, you will find it here. Synth Anthology 4 delivers an incredible collection of hardware, every major manufacturer, every type of synthesis, every era, 200 synthesizers in all.

You won't find a more complete collection anywhere else."

The list:

CLICK FOR MORE »

Vintage Korg Blackboard Synthesizer Played Vertically! Giant MS-20

video upload by Analogue Solutions

"Here's a clip of the vintage Korg Blackboard synth played vertically (wall-hung)! If you've never tried playing a keyboard vertically you don't know the struggle -- however, Owen did great with this tough part of the song."

Analogue Solutions Colossus Quartz Synthesizer Expanders

video upload by Analogue Solutions

Press release follows:

Analogue Solutions ‘splits’ Colossus AS200 Slim synth into ‘quarters’ to create Colossus AS250 Quartz range of expanders with possible piecemeal purchase

SHATTERFORD, UK: having shed some pounds off its ‘against-all-odds-created’ Colossus AS100 Classic super-synth (that took its inspirational design cues from the colossal classic personified by the rarefied Seventies-vintage Synthi 100, bravely built by British trailblazing entity EMS as one of the largest and most expensive examples ever birthed by anyone anywhere) to create Colossus AS200 Slim as a comparatively slimline version pitched as being a perfect fit for those with a little less studio space to spare or more restricted access for installation, British boutique electronic instruments innovator Analogue Solutions is proud to announce availability of Colossus AS250 Quartz as a range of add-on expanders — effectively ‘splitting’ Colossus AS200 Slim into ‘quarters’ to enhance existing Colossus systems or other modular synthesisers while also allowing for piecemeal purchase benefitting those wishing to build a complete Colossus system over time to spread the cost — as of May 2…

As a range of add-on synth expanders, each Colossus AS250 Quartz ‘quarter’ has a specific set of general features and is named accordingly: AS250-VCO — comprising a bank of 12 voltage-controlled oscillators (OSCILLATOR 1 through to OSCILLATOR 12), plus two noise generators (NOISE GENERATOR 1 and NOISE GENERATOR 2), RANDOM VOLTAGE GENERATOR, SAMPLE AND HOLD, and a 31 x 15 ANALOGUE PIN MATRIX ROUTING panel; AS250-Scope — comprising four discrete voltage-controlled amplifiers (VCA 1 through to VCA 4), four envelopes (ENVELOPE SHAPER 1 through to ENVELOPE SHAPER 4), two low frequency oscillators (LFO 1 and LFO 2), LCD (Liquid Crystal Display) OSCILLOSCOPE as standard or CRT (Cathode Ray Tube) OSCILLOSCOPE optionally available, and TOUCH KEYBOARD CONTROL / SEQUENCER; AS250-VCF — comprising eight voltage-controlled filters (with FILTER 1 through to FILTER 4 each of a SEM-type 12dB multimode design and FILTER 5 through to FILTER 8 each of a Moog-type 24dB low-pass design) with an associated VCA each, four envelopes (ENVELOPE SHAPER 1 through to ENVELOPE SHAPER 4), two spring reverbs (REVERBERATIONS 1 and REVERBERATIONS 2) with three real mechanical springs each, two RING MODULATORS, two SLEW LIMITERS, and a 31 x 15 ANALOGUE PIN MATRIX ROUTING panel; and AS250-Seq — comprising a 64-step analogue SEQUENCER (capable of operating in four different playback modes), four backlit moving-coil SIGNAL METERS, two JOYSTICKS, two MULTIPLES, MAIN MIXER, and two SUB MIXERS.

Modular by nature, it goes without saying, though, that each expander in the Colossus AS250 Quartz range features extensive patching capabilities with almost all parameters connectable via dedicated 3.5mm jack sockets, which when used in combination with those 31 x 15 ANALOGUE PIN MATRIX ROUTING panels — patch using (included) 3.5mm mono mini-jack leads to/from the synth circuits themselves to any matrix channels to be used, then patch using (included) red (10 kΩ) and black (0 Ω) pins accordingly — allow signals to be easily split and sent to multiple destinations with minimal cabling. “It is impossible to test every combination of patch,” proclaims Analogue Solutions Founder Tom Carpenter, before adding: “Some patches might produce unusual but still interesting results, or you could get something not mixing or buffering in quite the way you expect — just remember this is a living analogue synth, not a giant software controller that has clinical ‘perfection’.”

Put it this way: all voice and modulation circuits involved in Colossus construction are 100% analogue; in fact, Analogue Solutions steered purposefully away from digital technology to the extent of avoiding any MIDI (Musical Instrument Digital Interface) connections — those in need can, after all, always turn to third-party MIDI-to-CV boxes or Eurorack modules — though there are, of course, digital elements to the sequencer control involved in the aforesaid AS250-Seq expander that are unavoidable. As a brief aside, it is worth noting here that classic analogue sequencers like ARP’s advanced-for- its-time Model 1601 (launched in 1976) deployed digital logic chips while the colossal EMS Synthi 100 — itself inspiring Analogue Solutions’ Colossus concept from the get-go — even featured a digital sequencer that was truly ahead of its time.

Each expander in the Colossus AS250 Quartz range is — in keeping with that Colossus concept — large scale... think large knobs controlling metal shaft potentiometers, multi-turn vernier-VCOs, and panel-dominating pin matrixes constructed from eye-wateringly expensive Swiss-made broadcast-quality signal routers. Reality has it that the Colossus concept is a no-expense-spared super-synth. Indeed, it is fair to say that high-quality-constructed synthesisers such as the ‘complete’ Colossus AS100 Classic or Colossus AS200 Slim — also art and architecture incarnate, incorporating beautifully engraved wood cabinetry creating exquisite studio furniture in itself — only come around once in a decade, or, possibly, a generation. It is, of course, also fair to say that this comes at a cost. Thanks to the timely introduction of Colossus AS250 Quartz — effectively ‘splitting’ Colossus AS200 Slim into ‘quarters’ to create a range of add-on expanders enhancing existing Colossus systems or other modular synthesisers, piecemeal purchase benefitting those wishing to build a complete Colossus system over time to spread the cost is now an option.

Limited quantities of the Colossus AS250 Quartz expander range are available to order — priced (excluding VAT and delivery) at £6,900.00 GBP (AS250-VCO); £5,500.00 GBP (AS250-Scope); £6,900.00 GBP (AS250-VCF); and £5,500.00 GBP (AS250-Seq) — directly from Analogue Solutions’ dedicated webpage here: https://www.analoguesolutions.com/colossus-quartz"

The Yamaha CS80 & CS70M - An Exploration of Two LEGENDS!

video upload by Vintage Synthesizer Solutions

"Please join us while we do a direct sonic comparison of these two classic Yamaha synthesizers. As is widely recognized, the CS80 is arguably the most legendary synthesizer ever made. Just under 800 units were produced at an MSRP of roughly $7000 each in 1978. The CS70m was the follow up flagship model and retailed for just under $5000 in 1981. We could not find the production total for the 70m (if anyone knows, please share in the comments!). However, like its sibling, I would guess that less than 1000 were made during its production run which ended in 1983 as Yamaha prepared to release the DX7.

While they do not sound identical by any means, we hope this video demonstrates how incredibly under recognized the CS70m is within the CS Poly family. It is the closest you can get to the CS80 in terms of feature set, voice architecture, and dual channel sound. For the prices people ask today for the CS50 and CS60, one would be smart to look for a 70m instead (IMHO!).

The audio is DIRECT & DRY - You are hearing the raw audio as it comes directly from each synthesizer. NO post processing (Effects or Dynamics) was done.

Thank you so much for watching! This channel is a passion project. We are just two hobbyists who share a deep passion for synthesizers. Please consider subscribing, we would greatly appreciate it! 🙏

**I am not a professional keyboardist! :)**
*On the CS80, the sliders labelled: "Sub Oscillator" = LFO*
Fun Fact: The CS80 has 8 voices; the CS70m has 6.

#VintageSyntheSizersolutions
#SacramentoSynthesizers
#Yamaha
#CS80
#CS70m
#YamahaCS

As always, a huge thanks to www.jeffreylatour.com for the amazing filming & editing work!

0:00 Intro
0:40 History & Development
1:30 Features unique to the 80 & 70m
2:08 Performance Controls
2:50 Voice Structure/Signal Path
4:44 CS80 Pitch Ribbon & Analog Memory
5:46 CS70m Updates & Diferences
7:50 CS80 Sounds
17:45 CS70m Sounds
21:01 DOG! 😂
21:06 CS70m Sounds Continued
30:41 Outro"

Roland SH3 vs SH3A: Direct Filter & Oscillator Comparison

video upload by Vintage Synthesizer Solutions

"This was filmed on very short notice, so apologies for the video quality. We had these 2 in the shop together and were exploring their significant sonic differences. We decided it deserved to be filmed and shared for others to reference.

@2:31 I accidentally leave the 3a on the sawtooth oscillator setting for a few seconds while playing the 3's (on top) square wave. I quickly realize this and adjust accoridingly shortly after." -- Tuning and parametersettings between the two seem off at times. Note the difference between :50 and :52 followed by later settings along with the differences mentioned above after 2:31. Still interesting from the perspective of hearing their raw sound / what they sound like.

Oberheim Matrix 12 vs. Matrix 6 - Sonic Siblings: A Direct Comparison

video upload by Vintage Synthesizer Solutions

0:00 Intro
0:52 Matrix Series Origins
1:28 Circuit Design
2:42 Features
4:12 MSRP
4:38 Factory Sound Comparison!
10:54 Unique Sonic Favorites
18:18 Outro

"Join us while we do a direct comparison of these two classic Oberheim synthesizers. There is often confusion around this product line due to the shared namesake. So, we wanted to clarify some of the differences both in terms of circuit design and sonic character. It is easy to assume that the Matrix 12 is simply a Matrix 6 with double the polyphony, but this is not the case. In fact, the Matrix 6/6R/1000 are quite different than the Matrix 12 and Xpander. In this video, we'll show you why and let you hear the difference!

**The audio is a direct mix of primarily dry signal with a bit of reverb added via an aux buss; no compression or EQ adjustments were made**

***Our Matrix 12 has had a rough past, you'll see many battle scars on the front panel. Rest assured, we have plans to fully restore it to its former glory in the very near future. What out for a video!***

****I am a technician, not a professional keyboardist! :) ****"

Analogue Solutions Fusebox X | A collection of sounds and patches

video upload by Analogue Solutions

"Fusebox X is a 3-VCO true analogue mono synth with the legendary Analogue Solutions vintage synth sound.

Designed by Tom Carpenter – a user and collector of vintage sounds, and a musician with a passion for electronic music.

All the voice and modulations are 100% analogue. Fusebox features an advanced choice of modulation and melodic possibilities right out of the box before even plugging in MIDI.

Fusebox features no presets – each sound is unique and created by the user!

There is no quantisation, stepping, or locking in by CPU.

Fusebox is designed, engineered and built in England by Analogue Solutions who have over 24 years in the synthesizer industry.

Major Additions / Differences (from the original Fusebox)

-Tri-phonic mode (3 note poly).
-More Jacks! Some rocker switches were replaced with jack sockets for more patchability.
-The Interval Generator and Patternator pots were replaced with precision type.
-440Hz tuner tone.
-Interval Generator clock input - allows automatic transposition in a variety of ways.
-Bar1 / Note0 trigger outputs - versatile alternative ways to trigger the Patternator and Interval Generator
-Arpeggiator replaced with mini step sequencer.
-Many internal performance tweaks."

How to Replace the Battery in the KORG Polysix with a Battery Holder + Repair Minor Trace Damage!

video upload by Vintage Synthesizer Solutions

"Please join us while we repair some minor trace damage on the CPU board of this Korg Polysix and install a coin cell battery socket. This Polysix had minor acid damage, but it can often be much worse. This repair needed to be done, so thorough repair so that if you do have a rough board, you'll have the ability to repair it.

Old Crow has another fantastic step by step guide to assist you here: http://www.oldcrows.net/~oldcrow/synt...

If you don't want to take the risk of attempting to repair the CPU board yourself, you can buy a modern clone version here that is very well made: https://synthronics.de/klm-367a-repla..."

How to POLYCHAIN The Oberheim Matrix 1000 + Install the MASSIVE Tauntek 1.2 firmware upgrade!!!

video upload by Vintage Synthesizer Solutions

Note the Matrix-1000 has 1000 presets, but only the first 200 are user programmable.

"The Oberheim Matrix 1000 has been around since 1988, but did you know that it can be polychained with up to 5 other units?!? This is not a simple MIDI In/Thru setup... One unit must set as the master and then distributes the incoming note data evenly between itself and each of the slaves. Matrix 6 and 6Rs can join the party too, but only as slave units.

We also demonstrate how to upgrade these units with the @Tauntek 1.20 OS upgrade. Add in a @Kiwitechnics patch editor and you've got a monster vintage analog synthesizer. Enjoy our quick demonstration of 3 x Matrix 1000s: 18 voices & 36 DCOs of creamy Oberheim goodness..."

Analogue Solutions Now Available in Black

via Analogue Solutions:

"Limited Edition Colossus (in black) is now available!

👉 Contact us for more information or visit the AS website for reservation and purchase info (see below)

http://www.colossus-synth.com"

Update: video & description added below.
video upload by Analogue Solutions

"This is a limited edition black version of the classic Colossus synthesizer!

We have chosen some of our favourite circuits from our own large back catalogue synths such as Polymath, Telemark and Vostok.

Colossus is not a Synthi 100 clone - all circuits are non-EMS, Analogue Solutions’ design.

The original Synthi was so large it wouldn’t fit through a standard doorway. We didn’t make that mistake but don’t underestimate its size. It will be prominent in your studio, or art gallery!

It is sized at 1585mm wide, 700mm deep and 655mm high and weighing in too big to fit on the scales. It’s not entirely practical, but to be impressive physically and in sound. It will be an awesome centrepiece for your studio.

CLICK FOR MORE »

Introductions: The Teisco 110F Duophonic Synthesizer + Demo Track~

video upload by Vintage Synthesizer Solutions

"In this video, we barely scratched the surface of what this instrument can do and the depth of its operating modes/feature set. We'd like to do a deeper dive into this synth to demonstrate patch creation and other functionality on a deeper level in the future, if there is interest. Fun fact: Kawai applied both their own name and the Teisco brand name when manufacturing the SX210 and SX-240, depending on the market in which it was to be sold."

Teisco 110F posts, including additional demos.

Roland HS-60 Demonstration

video upload by Vintage Synthesizer Solutions

"From our instructional video about how to replace the infamous voice chips on the Roland HS-60 and Juno 106. All sounds were made by the HS-60 and recorded without the use of effects, excluding the drums from the TT-606.

Watch the voice chip tutorial here :"

Roland Juno-106/HS-60 Voice Chip Replacement + Demo Track~


"Please join us while we show you how to replace the voice chips in a Juno-106/Juno-106S/HS-60. This video is quite long, but our goal when making this video was to create as comprehensive of a step by step guide as possible. Some important points are repeated multiple times intentionally, please ensure you heed all warnings if you plan to attempt this job. Alternatively, if you have any tips or best practices from your own experience, please don't hesitate to share them in the comments. We genuinely hope it is helpful for some of you. At the very least, it should give you a very good idea if this is something you'd even want to consider attempting yourself ;). The background music & demo track using this synth @ the end are also all original content!"

Introductions: The Octave-Plateau Electronics Voyetra 8 + Demo Track~

video upload by Vintage Synthesizer Solutions

"Please join us while we walk you through a brief introduction to and demonstration of the spectacular Octave-Plateau Voyetra 8 Polyphonic Synthesizer. The V8 is one of the most spectacular, but also one of the most unknown polysynths released in the 1980's. The V8 is an absolute masterpiece and we want you to be able to experience some of what this incredible sonic powerhouse is capable of. First demonstrated at the 1981 NAMM show, it was not widely produced until 1983. Consequently, there are several different revisions. It combines CEM oscillators with SSM filters like the Prophet 5 Rev 1 & 2. Less than 1000 were produced. Some say it is fatter than even the Jupiter-8... now you can decide for yourself.

***Stereo headphones or decent speakers/studio monitors are a must! All of the sounds you hear in this video and demo track were produced entirely with the Voyetra 8, with the only exception being the drums. The audio is dry, NO effects were used.***

Thank you for watching our video!"